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Galaxy of terror worm scene

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Galaxy Of Terror (1981) latino. Sid Haig didn't think the dialogue in the script matched the character of Quuhod, so Knulla hemma asked Roger Corman if he could play Quuhod as a near mute instead. He tells Cabren that he has "won the game. TheUnknown 24 March Unfortunately, facing their fear results in death in all cases except that of the Captain, Polish chat by Edward Albert, who seems to be fearless either by virtue of experience or lack of imagination. Senseless and stupid. Factory re-release of Galaxy Amateursteen, it was initially even more explicit; in fact, it earned an X-rating from the Motion Picture Association Tisha campbell martin naked America MPAA upon the screening of its Pornstar lola foxx cut. Clear your history.

Galaxy Of Terror Worm Scene Inhaltsverzeichnis

Ursprünglich war die Sequenz sogar noch länger und expliziter. Die Schlusseinstellung zeigt, wie Cabrens fatalistischer Gesichtsausdruck einem hellen Chubby nerdy girl Leuchten weicht. Der in Cum on me tumblr kleinen Rolle zu sehende Robert Englund wurde wenige Jahre später als Freddy Krueger in der entsprechenden Horrorfilmreihe bekannt. Larry BockR. Hauptseite Themenportale Zufälliger Artikel. Ryderteal: Rumor has it Home made sex movies the Puma swede keiran was much longer, but Roger Corman was pissed off that it didn't get passed the censors and destroyed Lena paul incest footage that was cut out in a rage.

For the rewrite, Corman went straight to Freud. The scene certainly has a subtext, suggesting that what Dameia is really afraid of is her own sexuality and her deep-buried desire to be lose control and be dominated sexually.

The scene reads like teen male and adult male? All of that could be true All these years later, I found the movie on Amazon Prime, and that scene is just as disturbing as ever.

When Roger Corman cast 's "Galaxy of Terror," he was presented with a major challenge. He needed an attractive actress to agree to play Dameia.

Most actresses would run away screaming at the thought of having to endure Dameia's demise on screen. See, the beautiful Dameia would be jumped by a giant worm, stripped naked by the worm, sprayed with the worm's sticky juices, and raped by it.

The opening and closing minutes are incredibly dumb and the movie tends to be tedious whenever there aren't any hideous monsters on display.

Luckily the gutsy killings and eerie set designs by no less than Bill Paxton! A nine-headed expedition is send at hyper speed to the unexplored regions of space to find out what happened to a previously vanished spaceship and its crew.

Bad idea, of course, because unknown galaxies usually is where big slimy monsters live! And, in the good tradition of the aforementioned "Alien", there's a spy on board of the ship and the female crew-members severely risk to get impregnated by horny extraterrestrial rapists.

Robert Englund is pretty great in a somewhat heroic role, a couple of years prior to the start of his successful villain-role of Freddy Krueger in "Nightmare on Elm Street".

Back on Rebus they decide to investigate a strange area of landscape which their instruments cannot scan. Upon arrival they discover a large organic looking pyramid type alien structure, they decide to investigate.

It's not long before more start to die in various gruesome ways Clark I actually thought Galaxy of Terror was a much better film than I was expecting.

Unfortunately more often than not director Bruce just uses this idea to kill people off in gory ways, I felt more could have been done with the idea than just use it to conjure up a few rubber monsters.

One more complaint I have with Galaxy of Terror is that there are far too many pointless scenes of people walking around doing nothing in particular.

The special optical effects less so, some look alright while others look poor although none really stand out either way except the guy with a red blur where his face should be which is accomplished with an awful super-imposed special effect.

For what it is the acting is OK but nothing Oscar worthy. It's interesting to note that Ray Walston also appeared briefly as the fireside storyteller in the opening montage sequence of Stephen Spielburg's "Amazing Stories" TV series.

Many have often debated this point but, it is a fact listed in his filmography. Further, Ray Walston never appeared in any of the "Amazing Stories" episodes, which is quite curious considering the fact that he is an accomplished actor with an inventive repertoire of exotic characterizations, including the grounds keeper, Boothby, in "Star Trek: The Next Generation".

Such roles as Ray Walston has performed with truth to the art are remarkable and unsung as a true novel actor who is also capable of performing such pedestrian roles as the Vendor in "Johnny Dangerously" to extreme roles such as Walter Addams in "Addams Family Reunion" and, comparably average, Candy in "Of Mice and Men".

That is a very difficult role for an actor to portray faithfully. Each character meets their greatest fear. In one case Robert Englund, "Ranger" it is himself.

In the case of Erin Moran Alluma, the telepathic observer , it is claustrophobia. Each character must face their fear to overcome the planetary enigma.

Unfortunately, facing their fear results in death in all cases except that of the Captain, played by Edward Albert, who seems to be fearless either by virtue of experience or lack of imagination.

Roger Corman has consistently provided, if not named as producer, exceptional sci-fi and horror films on limited budget with uncanonized talent and forays into areas that few venture.

Napoleon Dracula 25 February This is my favorite movie of all time. This movie has everything that you will ever want in a movie.

I am sad to know that they never made a sequel. I watch this movie at least once every 3 or 4 months. The girl that gets raped looks damn fine. I give her a standing ovation in my pants -everytime I see it this is the greatest movie ever!

TheUnknown 24 March Watching "Galaxy of Terror" is like enduring eighty-one minutes of being socked in the stomach. From beginning to end, every single incoherent scene in this mess of a motion picture has no other purpose than to make you retch, or wonder just what the filmmakers were trying to put in place of a plot.

This is one of the most pointlessly gruesome and unpleasant movies I have ever seen. It has some decent special effects and some good cinematography, but this just makes the experience of watching it even more dreadful.

Because instead of being corny and gruesome, it looks authentic and gruesome. Again, with no purpose other than to make you want to hurl. Produced by Roger Corman and directed by Bruce D.

Clark, "Galaxy of Terror" borrows elements from many science-fiction sagas before it, most notable Ridley Scott's "Alien" from A rescue ship composed of a much of stick figure individuals crash-land on a mysterious planet and find themselves subjected to treachery and a plethora of hideously grotesque deaths at the hands or claws of various space creatures.

The plot, what little there is of one, thickens in the third act and results in one of the most dumbfounding, stupid and shockingly bad resolutions in movie history.

I stated in my first paragraph that the movie has some good special effects and it looks authentically gruesome. But this works to its disadvantage.

This is, at heart, a B-movie thriller. It's meant to be a cornball thriller. The jumps and scares and horror moments are meant to be silly and laughable.

So by making them realistic and visually gruesome, it gives the movie a very morbid, schizophrenic personality, as if it has no idea what the heck it's supposed to be.

If a movie is to take itself so seriously and go for some true scares, like "Alien," then it must be cemented and held up by something other than that.

For nearly an hour and a half, viewers must watch people being crushed, ripped to spreads, torn limb from limb, chewed up, stripped naked and literally raped by giant worms, and - did you stop to read again?

Having seen "Galaxy of Terror" myself, I can tell you that the infamous rape scene involving Taaffe O'Connell and a monstrous rubber worm with a keg-shaped sex organ is one hundred percent true and it is one of the most pointlessly unpleasant scenes I've ever seen in my life.

It has absolutely no purpose, even less purpose than the brutal scenes in the rest of the movie, and the most shocking thing was that it was a last-minute change to the script.

My only guess is that the filmmakers had started to lose confidence in even their own flick and wanted to find some way to stimulate the lecherous members of the audience and keep them interested.

Maybe they figured we all have a little bit of the stereotypical "dirty old man in the raincoat" in us. I think I've communicated quite adamantly why I despised and loathed "Galaxy of Terror.

And funny as it sounds, I would have preferred the production values to be laughably cheap and horrendous because then I could have laughed at maybe a few of these.

Or at least I would have become bored. And by the time it's pseudo-surrealistic resolution clocks in, it leaves us desperate for a break.

I first saw this in the early 90s on a vhs n had a solid wtf reaction regarding the notorious rape scene of the buxom babe.

Revisited it recently. The plot is basically a rip off of Alien but the film has some well known horror veterans, Sid Haig n Robert Englund. It also has erotic film director Zalman King.

Inspite of the film being a Roger Corman production, it has some well done effects due to the involvement of a very early James Cameron.

Cameron must be laughing at the thrusting movement of the giant worm. Well judging by the poster for this Corman gem you can expect to see lots of huge freaky monsters attacking scantily clad ladies on some kind of prehistoric looking alien planet.

I really don't understand how this poster even exists as the film is completely and utterly the opposite to everything that poster stands for!

Anywho I had never seen this film until now so I was unaware of what to expect, again judging by that movie poster I was kinda thinking it was an 'Aliens' type affair The film certainly looks and feels like 'Aliens' though that's for sure, holy sputum!

This may well be down to the fact James Cameron was the Production Designer and Second Unit Director on this and he clearly took these ideas and recreated them for his now famous Alien sequel masterpiece.

Indeed this film does look very Cameron-ish in some scenes especially at the start where we see the crew leave the mother ship and search the alien surroundings in their very smart yet workman-like looking space suits complete with light generating backpacks.

Hell even the alien planet is a cold dark misty wind swept barren land with mountainous jagged rocks that looks like an early 'LV'. Then you have the huge alien pyramid type structure that kinda looks like a concept pinched for 'AvP'.

So the more I watched the more I found myself comparing this early Corman sci-fi to Cameron's future work, on top of that much visual style has been borrowed from Ridley Scott's 'Alien' with the blue-collar space crew on board their slick yet heavily metallic industrial interior designed craft and its long twisting corridors.

Not quite the oil rig in space scenario, there is more of a dark Battlestar Galactica feel to it in my opinion, and lets not forget the character of 'kore' the cook who is similar in plot development to 'Ash'.

So off the crew go into the unknown looking for survivors of a ship that crashed on this mysterious planet. The setup was certainly looking good for a last man standing type thriller and you do get that to a degree.

What disappointed me was the fact the plot doesn't revolve around alien creatures killing off the crew but monsters created by the crew themselves, their own worst fears made flesh like some cheesy Red Dwarf episode.

What was a little intriguing was the notion that this huge pyramid where everything takes place is some kind of adventure playground for children of an extinct race of beings.

Apparently they would test their ability to control fear within the pyramid Notice the 'AvP' similarities here also huh huh! So this all leads to various creatures and bizarre scenarios that kill off the crew one by one, some being quite cool effects wise and some not so.

The silliest and most controversial at the time being a scene where a massive maggot rapes one of the female crew to death Totally stupid and uber cheesy to watch, makes you wonder what the fuss was all about, but there is some nice use of stop motion and a big rubber slime covered puppet.

Most of the time you don't fully see the things killing people, you merely get glimpses, which does work but I fear that may be because most of them looked pretty hokey.

The main talking point of the film apart from the horny oversized maggot must be the gruesome gory effects you get sporadically.

Some lovely use of good old fashioned hands on effects with dummies, fake blood and exploding body parts, again it all looks pretty dubious now of course but back in the day it would have been horrific.

What I didn't get on with and still don't really get is what was the Master character all about exactly?

Plus I never really got behind any of the characters either, didn't really bother me if they lived or died and didn't really like any of them.

His re-write of the scene had Dameia reacting in terror when confronting the foot long creature, an "id monster" created from her own mind complete with tentacles, but having the terror give way to forced sexual arousal as the monster strips and rapes her.

The re-written scene included full nudity and far more explicit sexual content, including simulated sexual intercourse, and ended with Dameia moaning provocatively, covered in excreted slime, and being driven to an orgasm so intense it kills her.

After informing director Clark and actress O'Connell about the changes and having both of them balk at participating in the more sexually explicit scene, Corman decided to direct the entire scene himself.

He hired a body double for O'Connell to shoot the full-nudity sex sequences, although O'Connell ended up in front of the camera for most of the final scene.

The sexual content of the scene was considered graphic enough by their standards that it was given an X rating , which was generally given only to the most sexually explicit films.

Kizer then made a number of very small cuts to the scene. In the interview, he stated that the cuts involved either very brief shots of O'Connell's face as her character expressed "rhapsodic and ecstatic" looks that too clearly indicated forced arousal and pleasure at being raped, or lewd "humping" motions made by the giant worm while the nude Dameia is ensnared in its tentacles underneath it, motions that obviously simulated sexual intercourse occurring between the two.

None of these cuts were longer than one second in length and most only a few frames, and none altered the sequence of the scene. However, they were enough to avoid the X rating for the film.

The visuals of the final released scene in film and VHS versions later DVD and Blu-ray disc as well combined with O'Connell's verbalization still leave no doubt as to what happens to the character; in fact, the scene was still too explicit for many countries, who either required it be deleted or denied the film a release entirely.

All authorized later releases of the film in Europe, America and elsewhere contain the scene in its final, R-rated version.

The film's trailer, which still exists online, shows what may be an unaltered view of one of the full nudity shots, containing a slightly different aspect than the one in the final movie.

The scene is discussed on the commentary of the Blu-ray Disc release more than any other aspect of the film. In an interview shown on the Blu-ray Disc, Corman stated that the character of Dameia as re-written had a fear of sex as well as a fear of worms.

O'Connell, in a separate interview with Femme Fatales magazine, interpreted that Dameia was frightened by her own sexuality and a desire to submit to something more powerful than herself, something the monster created from her fears gives her to a lethal extent.

There was a remastered and authorized Region 2 Europe Italian disc available from Mondo Home Entertainment released in which is now out-of-print.

On July 20, , Shout! The release also contains cast interviews and behind-the-scenes information on a variety of aspects. From Wikipedia, the free encyclopedia.

Not to be confused with Galaxy of Fear. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Theatrical release poster. New World Pictures. Release date. Running time. This section does not cite any sources.

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Each character meets their greatest fear. And Mutter vergewaltigt sohn it looks like another wise investment for master Corman, as "Galaxy of Terror" is still a Amateur allure, kathleen, spermcam pleasure of many horror fans and Ballbusting beauty frequently mentioned as one of the more tolerable "Alien"-imitations ever made. The scene as August ames sex toy was released Hot skinny girl shaved pussy feet enough nudity from the buxom O'Connell and a body-double used for various shots and was sexually explicit enough to achieve cult status for the movie and the actress. Still, it's hard to take one's eyes off it at times. The team disposes of Young devotion lola of the bodies except one which they take back for analysis. There's no shortage of carnage and wackiness, and it all leads up to Brandi love cream pie surprisingly metaphysical conclusion.

Each character meets their greatest fear. In one case Robert Englund, "Ranger" it is himself. In the case of Erin Moran Alluma, the telepathic observer , it is claustrophobia.

Each character must face their fear to overcome the planetary enigma. Unfortunately, facing their fear results in death in all cases except that of the Captain, played by Edward Albert, who seems to be fearless either by virtue of experience or lack of imagination.

Roger Corman has consistently provided, if not named as producer, exceptional sci-fi and horror films on limited budget with uncanonized talent and forays into areas that few venture.

Napoleon Dracula 25 February This is my favorite movie of all time. This movie has everything that you will ever want in a movie.

I am sad to know that they never made a sequel. I watch this movie at least once every 3 or 4 months. The girl that gets raped looks damn fine.

I give her a standing ovation in my pants -everytime I see it this is the greatest movie ever! TheUnknown 24 March Watching "Galaxy of Terror" is like enduring eighty-one minutes of being socked in the stomach.

From beginning to end, every single incoherent scene in this mess of a motion picture has no other purpose than to make you retch, or wonder just what the filmmakers were trying to put in place of a plot.

This is one of the most pointlessly gruesome and unpleasant movies I have ever seen. It has some decent special effects and some good cinematography, but this just makes the experience of watching it even more dreadful.

Because instead of being corny and gruesome, it looks authentic and gruesome. Again, with no purpose other than to make you want to hurl.

Produced by Roger Corman and directed by Bruce D. Clark, "Galaxy of Terror" borrows elements from many science-fiction sagas before it, most notable Ridley Scott's "Alien" from A rescue ship composed of a much of stick figure individuals crash-land on a mysterious planet and find themselves subjected to treachery and a plethora of hideously grotesque deaths at the hands or claws of various space creatures.

The plot, what little there is of one, thickens in the third act and results in one of the most dumbfounding, stupid and shockingly bad resolutions in movie history.

I stated in my first paragraph that the movie has some good special effects and it looks authentically gruesome. But this works to its disadvantage.

This is, at heart, a B-movie thriller. It's meant to be a cornball thriller. The jumps and scares and horror moments are meant to be silly and laughable.

So by making them realistic and visually gruesome, it gives the movie a very morbid, schizophrenic personality, as if it has no idea what the heck it's supposed to be.

If a movie is to take itself so seriously and go for some true scares, like "Alien," then it must be cemented and held up by something other than that.

For nearly an hour and a half, viewers must watch people being crushed, ripped to spreads, torn limb from limb, chewed up, stripped naked and literally raped by giant worms, and - did you stop to read again?

Having seen "Galaxy of Terror" myself, I can tell you that the infamous rape scene involving Taaffe O'Connell and a monstrous rubber worm with a keg-shaped sex organ is one hundred percent true and it is one of the most pointlessly unpleasant scenes I've ever seen in my life.

It has absolutely no purpose, even less purpose than the brutal scenes in the rest of the movie, and the most shocking thing was that it was a last-minute change to the script.

My only guess is that the filmmakers had started to lose confidence in even their own flick and wanted to find some way to stimulate the lecherous members of the audience and keep them interested.

Maybe they figured we all have a little bit of the stereotypical "dirty old man in the raincoat" in us. I think I've communicated quite adamantly why I despised and loathed "Galaxy of Terror.

And funny as it sounds, I would have preferred the production values to be laughably cheap and horrendous because then I could have laughed at maybe a few of these.

Or at least I would have become bored. And by the time it's pseudo-surrealistic resolution clocks in, it leaves us desperate for a break. I first saw this in the early 90s on a vhs n had a solid wtf reaction regarding the notorious rape scene of the buxom babe.

Revisited it recently. The plot is basically a rip off of Alien but the film has some well known horror veterans, Sid Haig n Robert Englund.

It also has erotic film director Zalman King. Inspite of the film being a Roger Corman production, it has some well done effects due to the involvement of a very early James Cameron.

Cameron must be laughing at the thrusting movement of the giant worm. Well judging by the poster for this Corman gem you can expect to see lots of huge freaky monsters attacking scantily clad ladies on some kind of prehistoric looking alien planet.

I really don't understand how this poster even exists as the film is completely and utterly the opposite to everything that poster stands for!

Anywho I had never seen this film until now so I was unaware of what to expect, again judging by that movie poster I was kinda thinking it was an 'Aliens' type affair The film certainly looks and feels like 'Aliens' though that's for sure, holy sputum!

This may well be down to the fact James Cameron was the Production Designer and Second Unit Director on this and he clearly took these ideas and recreated them for his now famous Alien sequel masterpiece.

Indeed this film does look very Cameron-ish in some scenes especially at the start where we see the crew leave the mother ship and search the alien surroundings in their very smart yet workman-like looking space suits complete with light generating backpacks.

Hell even the alien planet is a cold dark misty wind swept barren land with mountainous jagged rocks that looks like an early 'LV'.

Then you have the huge alien pyramid type structure that kinda looks like a concept pinched for 'AvP'. So the more I watched the more I found myself comparing this early Corman sci-fi to Cameron's future work, on top of that much visual style has been borrowed from Ridley Scott's 'Alien' with the blue-collar space crew on board their slick yet heavily metallic industrial interior designed craft and its long twisting corridors.

Not quite the oil rig in space scenario, there is more of a dark Battlestar Galactica feel to it in my opinion, and lets not forget the character of 'kore' the cook who is similar in plot development to 'Ash'.

So off the crew go into the unknown looking for survivors of a ship that crashed on this mysterious planet. The setup was certainly looking good for a last man standing type thriller and you do get that to a degree.

What disappointed me was the fact the plot doesn't revolve around alien creatures killing off the crew but monsters created by the crew themselves, their own worst fears made flesh like some cheesy Red Dwarf episode.

What was a little intriguing was the notion that this huge pyramid where everything takes place is some kind of adventure playground for children of an extinct race of beings.

Apparently they would test their ability to control fear within the pyramid Notice the 'AvP' similarities here also huh huh! So this all leads to various creatures and bizarre scenarios that kill off the crew one by one, some being quite cool effects wise and some not so.

The silliest and most controversial at the time being a scene where a massive maggot rapes one of the female crew to death Totally stupid and uber cheesy to watch, makes you wonder what the fuss was all about, but there is some nice use of stop motion and a big rubber slime covered puppet.

Most of the time you don't fully see the things killing people, you merely get glimpses, which does work but I fear that may be because most of them looked pretty hokey.

The main talking point of the film apart from the horny oversized maggot must be the gruesome gory effects you get sporadically.

Some lovely use of good old fashioned hands on effects with dummies, fake blood and exploding body parts, again it all looks pretty dubious now of course but back in the day it would have been horrific.

What I didn't get on with and still don't really get is what was the Master character all about exactly? Plus I never really got behind any of the characters either, didn't really bother me if they lived or died and didn't really like any of them.

You never find out what happens to Englund's character and what was all that crystal star throwing malarkey with Haig's character?

Everything is a tad rehashed from Ridley Scott's space opus But yeah on the other hand I did kinda like it mainly for its visual artistry and glorious hands on effects, on that front its brilliant.

KoolCatReviews 7 May Some what comforting classic 80's Sci-fi. Devoid of a meaning full plot but plently of over the top action and gore.

Typical 80's B movie with plently decent of special effects. If you big fan of the style and time period you will enjoy the nostalgic vibe.

It's clumsy and at time quite poor. The dialogue is mind numbing all of the time and I'm not really sure the setting was ever explained that well.

That is not of real important because you should know what your getting in too. A couple of good scenes might be worth watching the whole movie for.

The opening credits much like the rest of the movie are so bad it's amazing to witness. You might aswell watch this just to say you have seen a knock of B-movie of alien.

Hitchcoc 18 November I got caught up in this film, even though it totally confused me. Who are these people and why are they so intent on this mission?

They are all either neurotic, frightened, or pure sociopaths. They have no respect for each other and some have gone around the bend.

But she said in an interview that Corman told her she still needed to be topless for the filming. He said he would just shoot her at angles so nothing was revealed.

So she agreed to took her clothes off, but then Corman, who filmed that scene, had the camera man angle the camera so her bare breasts were clearly visible.

He was only eighteen-years-old at the time. Captain Trantor's name is a reference to the name of a planet in Isaac Asimov's Foundation series.

The infamous giant worm was nicknamed "Maggie the maggot" by the crew. In just 3 years after the release of this movie both Robert Englund and James Cameron working here behind the scenes as a set designer would be world famous.

A lot of the special effects shots involving live actors combined with matte paintings and miniatures, were done in camera. The film went into production in the spring of at the Hammond Lumber Company lot in Venice, California, where New World's studio facilities were located.

Additional sets, including the surface of the planet and the exterior of the pyramid, were built at a soon-to-be demolished Bekins Storage facility.

The film was meant to be a rip-off of Alien which had just become a box office surprise, so New World Pictures was eager to jump on the bandwagon.

A young James Cameron , who worked as Art Director and Second Unit Director on this movie, would later direct the sequel to its main inspiration: Aliens Erin Moran had originally agreed to film a nude scene, but changed her mind and renegotiated to have a much more violent death instead.

Ferdy Mayne and Henry Gibson both auditioned for the role of Kore. Keith Carradine was also considered for the role of Cabren. Ruth Roman was also considered to play Captain Trantor.

The commentary on the Shout! Factory DVD release see below includes R. Kizer, one of three editors of the film. Kizer reveals that the originally filmed version of the Dameia O'Connell character's death scene changed significantly as the movie was made.

The initial writing of the scene had the maggot only stripping and consuming a topless Dameia, but producer Roger Corman had promised financial backers of the movie a sex scene involving O'Connell, so he merged the two ideas together.

His re-write of the scene had Dameia reacting in terror when confronting the foot long creature, an "id monster" created from her own mind complete with tentacles, but having the terror give way to forced sexual arousal as the monster strips and rapes her.

Her Canoco Publishing Company has continued operations for 20 years, and produces Astro Caster Magazine , a trade magazine which combines traditional casting for actors and actresses with astrological insights and information.

More recently, O'Connell has begun taking acting parts in films again. From Wikipedia, the free encyclopedia. This article needs additional citations for verification.

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Posted by Faugami

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Diese Mitteilung unvergleichlich, ist))), mir ist es interessant:)

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