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Maybe its makers can be forgiven for its somewhat tone deaf content: it was completed in , before the Covid pandemic began to disproportionately claim black lives and before the Black Lives Matter movement again reached fever pitch.

But that does not absolve Channel 4 of responsibility when it has chosen to put it in the schedules now. Do not mistake what I am saying, this show is not tone deaf because it looks at black strippers.

In fact, a thoughtful examination of that could be fascinating and valuable. Black strippers and other workers within the sex industry are often marginalised within public discourse about the harsh conditions that shape black lives, and it is right that their stories are heard and that the social stigmas that face black workers in the sex industry are addressed.

Some of the more intimate aspects of the documentary touch quite successfully on the concerns of young, insecure workers in Britain: childcare costs, career stability, and finding work after encountering trouble with the law.

Rather, it lasers in on the controversy the entertainment service has frequently attracted for making money from racist stereotypes about black masculinity.

We have had these arguments before. In any case, there is no use laying the blame at the door of the managers or individual dancers who appear content to lean into this fetishisation.

The film-makers never show much interest in a robust interrogation of these claims of empowerment. Perhaps they are right not to. But the lack of any other investigation leaves an emptiness at the heart of the documentary.

There are other, more urgent questions that could have been asked about the lives of strippers in Britain — namely their rights as workers.

Hiring and firing decisions appear so casual. The core narrative arc anchoring the show focuses on the increasingly poor performances of the long-serving stripper Black Magic, and the question of his place on the tour hangs above him like the sword of Damocles.

The International Highrise Award, Beazley Designs of the Year, Nominee, World Architecture Festival Housing, Finalist, Holcim Awards Innovation Taskforce, European Prize of Architecture Philippe Rotthier, ArchDaily Cultural Building of the Year, Civic Trust Awards, Winner, Design Educates Award, Architectural Design, Scandinavian Green Roof Award, Aga Khan Award for Architecture, ArchDaily Building of the Year, World Architecture Festival, Shortlist, Canadian Architect Award of Excellence, PCI Harry H.

Edwards Industry Advancement Award, Den Danske Lyspris, Winner, Snedker Craftsmenship Prize, London Design Awards, Silver Winner, London Design Award, Gold Winner, Red Dot Best of the Best Award, Archiproducts Design Awards, Chicago Athenaeum International Architecture Award, Urban Land Institute Award for Excellence, Chicago Athenaeum Good Design Award, Architectural Digest Great Design Award, Byplanprisen Town Planning Award Finalist, The presentation provides an overview of the past years worth of projects with an emphasis on the most recent work like the 8 House in Copenhagen, Denmark and competitions in Denmark, Greenland and New York.

Having been part of the jury, Kai-Uwe will be speaking just prior to the revelation of the prize winners. Kai-Uwe is a keynote speaker at the IncrediblEurope Summit; the theme of is The Influence of One, referring to the influence of one Europe as one global player as well as the influence of one individual to inspire change.

The movement focuses on creative, innovative and entrepreneurial changemakers and the futures they influence. Architecture has the power to positively influence the quality of life for urban dwellers.

What are the architectural elements that make a building not just liveable, but life-enhancing? It is the field of communication and sharing ideas for young architects and architectural students.

All the events are open to public. Thomas Christoffersen will be talking about BIG, its philosophy and its many projects, from concept to design.

Fit Nation New Orleans will highlight innovative approaches from across the world and the U. From featuring stairs more prominently in buildings, to the creation of walkable neighborhoods, to making recreation spaces more accessible and appealing, speakers at Fit Nation New Orleans will share best practices in active design strategies and policies.

Visualization is the primary tool for the designer in order to illustrate ideas to other people. Architects are commonly using classical media such as drawings for that purpose, but is also experimenting with other medias and other ways of explaining architecture.

For BIG, visualization becomes not only a tool for producing and illustrating technical issues, but also an instrument to inform and educate.

The AIA New York Chapter, in partnership with the New York City Department of Health and Mental Hygiene, will host the sixth annual public conference to examine how design of the built environment creates opportunities for increasing physical activity and access to healthier food choices.

This conference will bring together architects, planners, designers, developers, and public health professionals to address how building design and policy decisions can improve health outcomes in communities, helping to prevent chronic diseases such as obesity, diabetes, heart disease, some cancers and asthma.

Kai-Uwe Bergmann will participate in the jury panel selecting the design for a temporary pavilion defined by sustainability in a holistic approach: social, economical, environmental and cultural.

Kai-Uwe will be participating in the conference taking place from the 3rd to the 6th of August in Cali, Columbia. Hedonistic Sustainability — How can sustainable cities and buildings improve our quality of life?

Addressing risk from coastal and stormwater flooding, Islais Hyper-Creek serves as an opportunity to bring the existing industrial ecosystem into the next economy.

Six proposed pilot projects, developed together with stakeholders and local communities, will kickstart a long-term process towards realizing the overall vision.

From Manhattan, to Humanhattan! Together with One Architecture and Sherwood Engineers, we are thinking of ecology, people, infrastructure and transit working together as self-enforcing systems.

We're excited to continue the conversation in not only saving the bay, but growing the bay for nature, people and changing climates.

Milano design fair for Milan Design Week. Danish filmmaker Kaspar Astrup Schröder paints an intimate portrait of Bjarke and BIG's development over the past seven years — the unveiling documentary has premiered in Denmark, and will screen in theatres across the country until June.

Stay tuned for international premiere dates. The Netflix original docu-series, Abstract: The Art of Design , takes viewers inside the minds and behind-the-scenes of our creative process.

Aerial filming by Halo Aerial Image. Aerial photography by darkhorse. The plus story building is developed by Silverstein Properties and will serve as the new headquarters for 21st Century Fox and News Corp.

C until August 30th, Alphabet of Light starts from an abacus of essential geometries and forms a new font that translates into light, like an alphabet used to write and express thoughts, or a tool to give shape to spaces.

Either straight or curved base modules made with precise geometric proportions allow for the combination of elements to build countless light structures, both essential and complex.

It is an elementary principle generating an open system. Gople Lamp enhances the beauty of glass, hand-processed according to an ancient Venetian technique that gradually turns white glass into crystal glass by combining both upon blowing, thus making each piece unique.

Through an innovative and sustainable metal vacuum deposition process, finishes are avaliable in silver, bronze, copper and blue.

The classic shape has been upscaled and designed as a whole unit, uniting socket and bulb into one form. The fixture hides the low energy light source, ensuring a comfortable soft light.

The pendant consists of an acid treated opal glass shade, an aluminium suspension and an extra thick silicone cord.

Collaboration KiBiSi. The Keglen Collection is a systematic design language for a wide range of lighting typologies.

This family of lamps have similar characteristics, yet are maximised for their intended use with varied sizes and unique personalities.

The main feature of the lamp is the organic shaped glass that sits perfectly underneath, as if shaped by physics and cohesive forces found in nature.

Ripple is inspired by repeating elements found in nature that grow and expand in organic ways, like molecular growth. The lamp can grow or morph into different configurations, and the soft elements can be added to provide acoustic properties to suit the needs of certain interior environments.

Trumpet is a fixture which accomodates many building services such as lighting, audio and ventilation.

The subtle hyperbolic shape of Trumpet blends almost imperceptibly into the ceiling. The deeply recessed LED module provides lighting with minimal glare.

With a specially developed surface with small laser-cut points, Trumpet creates an extremely homogeneous distribution of light.

This versatility makes it ideal for use in offices. Silverback is designed to create an interface between the architectural space and light.

Neither integrated, nor flashy. Silverback has a soft water drop like shape that combines a metallic part with an opal white diffuser. The metallic part mirrors the ceiling or wall the fixture is mounted on, giving a unique morphed experience regardless of the background qualities.

La Linea is a flexible tube of light, capable of twisting and turning throughout endless distances for countless applications in a wide variety of locations.

Elegant and sleek, La Linea is created for both indoor and outdoor spaces. Each individual modular element is 5 meters long but can be extended endlessly and seamlessly thanks to its concealed joints without visible shadows or signs.

Voxel Sofa is a modular sofa system expressed through the concept of a building block, a three dimensional pixel — a voxel.

The grid-like system creates a family of units that can be configured into multiple seating scenarios, from single unit couch to a large, flexible configurations.

The Brick sofa series is designed to have strong architectural references. It consists of a chair and a pouffe, as well as both a two- and three-seater sofa.

The point of departure was a classic brick bond forming the cushion pattern. The cushions are tied together and fixed with a tailor-quality button made from fiber concrete.

Roulade is a meeting between generations and genres, a meeting between mattress and Chesterfield, chair and couch.

Roulade is a Swiss Roll turned sofa — a contemporary, iconic and humorous character with a cozy and comfortable expression. Roulade is made from High Density foam cut into a fixed shape reminiscent of a rolled up mattress.

It is upholstered with top class materials such as Kvadrat fabrics. Resembling the soft oval shape of a lily pad, the Lillum series welcomes you with a curious and inviting gesture made of honest materials and designed as a contemporary, urban expression.

Lillum is designed for the modern, flexible and pragmatic time we live in, when outdoor furniture is not necessarily only used outdoors but can also blend in naturally in the living room, the lounge area of a restaurant or in the workplace.

As a flexible module, VIA 57 can be configured to fit into various interiors such as lobbies, receptions, lounges and private homes.

The chair is composed of a steel frame embedded in molded soft polyeurothane foam. These two densities create the soft yet firm comfort.

The wooden base creates an elegant finish towards the floor letting the chair almost float in space. Scoop is a contemporary chair for all spaces. The innovative gyroscope-like suspension system enables the user to tilt the chair forward and backwards, conveying a free, suspended feeling.

The Y-shaped aluminum beam creates a visual and functional overlap between seat and base. Scoop merges craft with technology: the innovative technical edge increases comfort and maintains a clear and simple Scandinavian appearance.

Scoop is available in a conference and lounge chair edition. The XTable desk is a piece of office furniture accommodating multiple working positions and daily reshuffling.

All technical features are constructively integrated in the tabletop. It uses a century-old principle known from carjacks, ironing boards and other iconic tools.

The principle is a radical redesign of the traditional office desk. XTable is designed with an optional storage solution for office supplies and other belongings.

The BIG-reformed kitchen cabinet is designed to work with the IKEA flat-pack kitchen, and has an affordable price yet novel characteristics.

The elegant, unconventional handles are made from seat belt fabric. Available in a white or an oak finish, the simple yet refined design evokes a holistic feeling for a modern-day kitchen setting.

Totem Shelf is a freestanding bookcase consisting of a series of stacked volumes. Each volume is split diagonally into quarters, creating small frames or dioramas for personal belongings.

The shelves come in wood, aluminum, chromatized, blackened, galvanized and stainless-steel variations. The new habitat for two giant pandas were created in the yin-yang symbol, based on the Chinese philosophy for balance and opposition within a simple shape.

The wooden figure Panda mimics this simplicity, with the rotation of the upper mody and movability of the arms and legs.

The Panda figure is available in the large or small size. Similar to soap bubbles, porcelain balls are joined together to form an object with a strong character that will stand out in any interior.

HAV has a distinct fish scale ornamentation in a mix between a blue and greenish black colour, resembling the coastline shrouded in morning mist. By using an airbrush hand-spray painting technique, the scale decoration on HAV appears elegant in its tactility and modern in its expression.

Friday Lock is a smart home product which combines a minimal form and enhanced security features. Controlled via smartphone, the smat lock can automatically unlock a door when it senses the resident approaching, lock it as they leave, or allow them to remotely control who has access to the property.

It is designed it to fit on the inside of almost any door in place of the traditional thumb turn. Friday Lock is the smallest and smartest retrofit lock to safeguard your home.

The Pebble Collection brings luxury and high quality design to ubiquitous, everyday objects. Pebble is a playful, contemporary collection which includes a soap dispenser, shower shelf, towel rail, toilet brush, toilet roll holder, coat hook, lever handle, key escutcheon and thumb turn offerings.

Once connected, the light turns on automatically. When not in use, the magnets on the front and rear units pair them into one compact object, ready for storage.

The Taper Collection is a series of bathroom fittings that merge countertop, faucet and running water into one visually seamless design. Taper marries advanced engineering with a minimalist style that is deeply rooted in the principles of classic Mid-Century Danish design.

The design takes cues from the practical function of the products — to facilitate the passage of water — by stripping the forms down to their most elemental essence.

The Danish Maritime Museum is placed underground, just outside the wall of a dry dock in a formerly abandoned shipyard. In text, photographs and architectural drawings, Peter documents this remarkable adventure in architecture, civil and structural engineering.

Through the scorching heat of the Arabian Desert to the unforgiving chill of the Finnish tundra, HOT TO COLD: an odyssey of architectural adaptation takes visitors on a journey across the globe to explore the forces that shape our cities and buildings.

The book Superkilen celebrates the dawn of a new type of urban public space. Click on the image and read more about the book and how to buy it.

Published by the Chinese publisher Liaoning, this book is a collection of more than forty projects completed by BIG between and Buy the DVD including 45 minutes of bonus material.

Introduction by Boris Broman Jensen.

My Final Score is out of and you may loosely interpret the score as follows:. Accept this but make sure it is mixed into a cocktail.

As stated in the review, this is a product of the Cayman Islands. Check the website provided and see if they have contact information such that you can email them.

Sorry it was confusing. Thanks for the clarification. And you are certainly welcome to give feed back especially as I know many people including me have not had the opportunity to taste the these rums.

It is good to know that the flavoured rums in the line-up are probably much better that the dark rum which I reviewed. I just bought a few bottles and they are delicious.

I did sample the light and would have agreed with this review if I had not sampled and purchase the other flavors. We brought home a bottle of Dark Chocolate by far the favorite the Vanilla and the Coconut.

We also bought a bottle of Light because you can buy 2 bottles for I do agree that the review was appropriate for the Light or White rum but not for the flavors.

Good prices on brands like Absolut but not on the high end liquor. This is because of all the bottles you mentioned that you sampled, none of them were the same as the rum I actually reviewed.

You seem to have enjoyed the flavoured rums, and I appreciate that feed back. You also seem to be indicating that you did not like the light rum which seems to have qualities in it which you recognize from my review of The Dark Rum.

I would think the light and the dark would be quite dissimilar, and in fact my descriptors do not match anything which I would enjoy finding in a light rum.

So if the light was anything like the dark, I can understand why that particular bottle disappointed you. Again I thank you for the feedback.

I find BBD fun to drink and very unusual in taste. Being of a darker hue myself, of course I love the name.

I buy two bottles on every trip to the caribbean. They also sell it in St. This was absolutely the best rum ever!

Next time we are forgetting the Tortuga and only getting big Black Dick! OK, I Thoiught the Dark was disappointing but….

Very colorful review. Short and to the point and over quickly! My impressions were pretty much the same as yours when I sampled the Big Black Dick myself.

Since I did not buy the bottle I am not sure, but I doubt if it is more than 15 bucks in the Caymans. Then again, I just checked the web link and it says that the site has shut down.

Copyright is inherent when an original work is created. This means that the producer of original work is automatically granted copyright protection.

This copyright protection not only exists in North America, but extends to other countries as well. Thus, all of the work produced on this blog is protected by copyright, including all of the pictures and all of the articles.

These original works may not be copied or reused in any way whatsoever without the permission of the author, Chip Dykstra. Click Image for Awesome Recipes.

Click on the Image to see my interview on Good Food Revolution. The Rum Howler Blog. This should be an interesting review! In The Bottle 4.

Albini "sorta conned" small local label Fever Records into financing the next Big Black EP, bringing in drummer Pat Byrne of Urge Overkill to play on the sessions as accompaniment to the drum machine, which they dubbed "Roland" for album credits.

Even with Bulldozer released, Big Black drew very small crowds in their native Chicago. Part of Big Black's local unpopularity stemmed from Albini and the vitriol he regularly directed at Chicago's rock scene: by , the Metro Chicago was the only club in the city that was booking punk rock shows and was also large enough to accommodate Big Black, but after performing there Albini badmouthed the club in an interview and found himself banned from it permanently.

Looking for better distribution of their records, Big Black negotiated a deal with Homestead Records. We had ideals, and that was one of our ideals.

Albini believed that Big Black had nothing to gain by adopting the usual corporate trappings of rock bands: "If you don't use contracts, you don't have any contracts to worry about.

If you don't have a tour rider, you don't have a tour rider to argue about. If you don't have a booking agent, you don't have a booking agent to argue with.

Albini claimed to be aiming for a "big, massive, slick rock sound" with Racer-X , which was less frantic than Bulldozer , but ultimately felt that the EP was "too samey and monolithic.

Atomizer was a polarizing record that was praised in the national press and became an underground success, surpassing the band's expectations by selling three thousand copies soon after its release.

The compilation album The Hammer Party , combining Lungs and Bulldozer , was also released through Homestead Records in , but later that year Big Black had a falling out with the label and its distributor, Dutch East India Trading.

They would do every sleazy, cheap trick to avoid paying you, like send you a check that wasn't signed or send you a check that had a different numeral and literal amount.

The band agreed on the condition that the single was not to be offered for sale, since the song had already been released as a 7-inch single in and, according to Albini, "We didn't want our audience milked for extra money to buy an alternate format.

He soon found out that the inch single was being sold both in the United States and abroad as a high-priced "collector's item". Though Homestead claimed not to be selling copies, Albini telephoned one of the label's salespeople posing as a record buyer and was told that they would sell him copies, but not in Chicago.

If we felt it wasn't as good, then we should just be honest about it. At that point I think we had tried everything that we wanted to try, musically and in the studio.

Tensions were also mounting within the band. Albini did not drink alcohol, so Riley and Durango became drinking buddies on the road while Albini was doing interviews and handling the band's logistics.

For Big Black to make any money, it wouldn't have been Big Black anymore. I am now quite happy to be breaking up. Things getting much too big and uncontrollable.

All along we've wanted to keep our hands on everything, so nothing happened that we didn't want to. I prefer to cut it off rather than have it turn into another Gross Rock Spectacle.

With their breakup announced well in advance, Big Black recorded their final album, Songs About Fucking , half in London and half at Albini's home studio.

Songs About Fucking was released shortly after the band's breakup and went on to become their most successful record, with an initial pressing of eight thousand copies.

In sum: yowl, ching, thump-thump-screech. Ugly characters line up in the songs like early arrivals at a monster truck rally.

No matter what well-meaning rockers think of Steve Albini's supremacist lies, they lie themselves if they dismiss what he does with electric guitars—that Killdozer sound culminates if not finishes off whole generations of punk and metal.

Following Big Black's breakup, Albini formed and fronted Rapeman from to and Shellac from onward. In he opened his own recording studio , Electrical Audio , in Chicago.

Durango, meanwhile, continued to play music during his law school years, releasing two EPs on Touch and Go as Arsenal and recording with Boss Hog.

In Big Black's catalog reverted to Touch and Go Records, who re-released their entire discography and kept their records in print long after the band's breakup.

Big Black's music challenged convention, pursuing an abrasive sound that was more aggressive than contemporary punk rock.

Albini explained that the band strove for intensity, stating that their goal was to make "something that felt intense when we went through it, rather than something that had little coded indicators of intensity.

Heavy metal and stuff like that didn't really seem intense to me, it seemed comical to me. Hardcore punk didn't really seem intense most of the time — most of the time it just seemed childish.

I guess that's how I would differentiate what we were doing from what other people were doing. A major component of Big Black's music was the drum machine.

Rather than attempt to make it emulate the sound of a normal drum kit , the band chose to exploit the idiosyncrasies of its synthetic sounds.

The band's guitar sound was also unconventional. Albini was determined to avoid the "standard rock stud guitar sound", and achieved a signature "clanky" sound by using metal guitar picks notched with sheet metal snips; the notch causing the pick to hit each string twice, creating the effect of two simultaneous guitar picks.

Big Black's music was influenced by a number of genres and artists. Albini was a fan of punk rock bands including Suicide , the Ramones , the Stooges , and Naked Raygun.

Big Black distilled years of post-punk and hardcore down to a sound resembling a singing saw blade mercillesly tearing through sheet metal.

No one had made records that sounded so harsh. Big Black's songs explored the dark side of American culture in unforgiving detail, acknowledging no taboos.

Nothing was off-limits; it's just that that's what came up most of the time. Albini's lyrics drew criticism for apparent racism and homophobia.

Racism was a frequent theme in Big Black songs, influenced partly by the sharp racial divisions present in Chicago at the time.

Can a word that's so inherently hilarious be hateful? I don't know. With that assumption under your belt, joke all you like. The word 'fag' isn't just a gay term, it's funny on its own — phonetically — like the words ' hockey puck ,' ' mukluks ,' ' gefilte fish ,' and 'Canada.

A lot of people, they're very careful not to say things that might offend certain people or do anything that might be misinterpreted.

But what they don't realize is that the point of all this is to change the way you live your life, not the way you speak. Albini also emphasized that the songs' lyrics were not the focal point of Big Black, and that the vocals were only there out of necessity: "It seemed like, as instrumental music, it didn't have enough emotional intensity at times, so there would be vocals.

But the vocals were not intended to be the center of attention — the interaction within the band and the chaotic nature of the music, that was the important part.

Onstage, Big Black presented an intense spectacle to match their music. Albini would set off a brick of firecrackers onstage before the band played, a tradition he carried on from their earliest performances through their dissolution and revived for their reunion set, and would count in most songs by yelling "One, two, fuck you!

During performances of "Jordan, Minnesota", the band would reach a point where they would prolong a discordant, creepy noise while Albini would perform an intense pantomime as though he were one of the children from the song's lyrics being raped.

Through their aggressive guitar playing and use of a drum machine, Big Black's music served as a precursor to industrial rock.

Organizationally, we were committed to a few basic principles: Treat everyone with as much respect as he deserves and no more , Avoid people who appeal to our vanity or ambition they always have an angle , Operate as much as possible apart from the "music scene" which was never our stomping ground , and Take no shit from anyone in the process.

The discography of Big Black consists of two studio albums , two live albums , two compilation albums , four EPs , five singles , and one video album.

The following Big Black songs were released on compilation albums. This is not an exhaustive list; songs that were first released on the band's albums, EPs, and singles are not included.

From Wikipedia, the free encyclopedia.

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